Few photographers who specialise in weddings are willing to admit it. But it happens. There are occasions when the happy couple is dissatisfied with their wedding photographs. It doesn't matter whose fault it was (and believe me, it could have been yours), or what could have been done in the moment to avoid it; the reality is what it is, and you don't like the pictures from your wedding that were returned to you. Now what? If you need advice on your wedding photography, check out our photography packages and services at Wild Romantic Photography.
Talk to your photographer.
The first and most important piece of guidance was to keep an open line of communication with your photographer. Have a conversation with them while maintaining as much composure as you can, and explain the situation to them. You should be ready to tell them exactly what it is about your wedding photographs that you don't like, so prepare yourself.
Do you remember when I mentioned all of the editing work that photographers have to do? During the editing process, there are a few instances in which photographers have the ability to make changes, both large and minor, that can make the photographs more pleasing to the customer. Although it isn't guaranteed to work every time, a skilled photographer might be able to make it happen.
Straight from the experts themselves: Set up a face-to-face meeting with the photographer at your earliest convenience. People are very good at concealing themselves behind their phone or computer. If the photographs are so terrible that it doesn't matter much, the photographer still has a chance to redeem himself or herself; the client might think about asking the photographer if the images can be sent somewhere else to be retouched.
Let them make it right.
It is in the best interest of a photographer to make things right if they are aware that their work has caused you distress. You have to allow them the opportunity to correct the errors or do whatever they can to help find a solution to the problem. Whatever makes you feel better should be what you do to make it suitable.
They aren't magicians, so it's possible that they won't be able to make everything perfect or retake the photos from your wedding, but they can certainly try to make amends for whatever mistakes they made. They could try to fix the photographs, offer you a partial refund, give you credit towards your album, or do another photoshoot for you in addition to those options.
It is not sufficient to merely state that you are unhappy with the photographs taken at your wedding. The photographer is left completely in the dark about how to correct the issue. You could say something along the lines of, "I really wish there were more black and white photos," "I really wish there were more close up shots of the decor," or "I really wish I had gotten a picture of my college friends." It will be to everyone's advantage if you can be as specific as possible.
Direct from the pros:
- Be specific about what you didn't like.
- Let your photographer know what they can do to make you happy.
I am aware that it can be challenging to emotionally distance oneself from one's own wedding photographs and remain objective, but the majority of wedding photographers genuinely care about their clients and depend heavily on positive feedback and word-of-mouth advertising.
Ask to see all of the images.
The bride and groom are typically not shown every image captured by the photographer at their wedding. Even just one wedding can generate hundreds or even a thousand photographs. They only edit the very best pictures and then share those edits with others. If there is something that is missing from your photos or something that makes you unhappy about them, it is possible that there are additional photos that you are not seeing that could solve the problems.
Go for another session.
If a photographer messes up your wedding, they should make it up to you by giving you a discount or giving you a free photography session after the wedding. Make an appointment with your photographer for the day after your session or try working with a different photographer. A day after the session, also known as rock the frock or trash the dress, gives you the opportunity to put on your wedding attire one more time and have some fun while doing so.
You will have the opportunity to take pictures while wearing your wedding attire, and if you're lucky, you'll get some great shots that you otherwise wouldn't have had time for on your wedding day. Choosing the right wedding photographer in Melbourne to capture every moment on your wedding day.
Avoid problems from the start.
Research was cited as the most effective strategy by almost all of the photographers with whom we spoke as the best way to sidestep photography issues altogether. Many problems that arise after a couple gets married can be avoided if the couple does extensive research on photographers before their wedding and hires a photographer who makes them feel at ease. In addition to this, check to see that the photographer you're working with has a solid reputation. You should look for a wedding photographer whose previous work appeals to you and who you feel comfortable working with.
Direct from the pros: Research was cited as the most effective strategy by almost all of the photographers with whom we spoke as the best way to sidestep photography issues altogether. Many problems that arise after a couple gets married can be avoided if the couple does extensive research on photographers before their wedding and hires a photographer who makes them feel at ease.
In addition to this, check to see that the photographer you're working with has a solid reputation. You should look for a wedding photographer whose previous work appeals to you and who you feel comfortable working with.
Here are ways to make sure you won't rue the day you hired your photographer:
Like your photographer
Not only do the photographs that your photographer takes need to be to your taste, but you also need to be comfortable with the individual who will be taking them. Make sure that you are meeting with the photographer who will actually be shooting your wedding when you go to meet with them. Your search should begin with photographers who have a unique style and are awesome; you can find them here.
Be wary of wedding photography mills because they do exist. These are places where you talk to a salesperson, view their best sample images, and then end up working with a photographer who earns the minimum wage and has a limited amount of experience.
To avoid getting burned:
- Ask to see an entire wedding.
- Along with the photographer's personality, does their photographic style match your wedding?
- If you're still having trouble deciding, book an engagement session first — this lets you take your photographer for a "test drive" before the big day.
Choose a professional WEDDING photographer.
Since experience is the best teacher, you should look for a photographer who specialises in weddings and has shot a significant number of weddings. The best wedding photographers have a sixth sense for recognising important moments even before they take place. Your cousin may be an excellent food photographer; however, this does not guarantee that he will be able to photograph your wedding. If you’d like to work with professional photographers for your wedding, book with us at Wild Romantic Photography.
Tread cautiously when hiring friends or family
Give your loved ones the opportunity to attend your wedding by inviting them as guests. It's possible that some of your photographer friends will kindly offer to take photos for you, but you should politely decline their offer. I'll let you in on a little secret: they probably won't mind if they're rejected.
Photographers at weddings are never allowed to sit among the guests. It is a breath of fresh air to go to a wedding where we can leave the camera at home, head straight to the bar, and maybe even bust out the Wobble. Aside from that, isn't it wise to keep one's personal life and professional life separate?
Delete your wedding Pinterest boards
Imagine that you want your photographer to create images that are identical to your favourites that you've found on Pinterest. Because those weddings aren't your wedding, the photographs taken at your wedding won't (and shouldn't!) look the same as they do at those other weddings. In this case, you're just setting yourself up to be disappointed.
Therefore, you should clean up your wedding Pinterest boards one week before the big day. I know this is blasphemy, but you need to delete your pins and just let go. The phase of planning has been completed. It is time for your wedding. Congratulations! Your dedication to one another in this matter. The love you have for one another.
Avoid time warp.
Transportation on the day of the wedding will always take twice as long as you anticipate it will — plan accordingly. If you forget to account for freeway traffic on the way to the location of your reception, you might halve the amount of time available for taking photographs.
Find out how much time will be required by your photographer, and then create a schedule that is reasonable. Photographers are magicians, but we are powerless to alter the passage of time. If at all possible, enlist the assistance of a wedding planner or coordinator to assist you in developing a detailed timeline for the big day. There is nothing that will ruin the photos from your wedding day more than trying to cram everything into an unrealistic schedule.
No laser lights ever
Do you think the green spots on your face make you look attractive? No? Then kindly ask your DJ to stop the laser light show, and thank them for their time. Laser lights are pretty much the worst thing that has ever been invented; they give the appearance that your guests have a skin disease that causes them to have a mutant green skin mutation. Oh, and those pricey lasers used in electronic dance music can irreparably damage high-end cameras just by coming into contact with them. Wreck havoc on the laser lights, Hulk!
Put down the vodka cranberry.
Andrew W.K., please hold off on going all the way until after the ceremony and the photos. You don't have to give up the mimosas entirely, but you should make sure to drink plenty of water and move at a leisurely pace. You hate the look of your drunk face? Photoshop does not allow me to correct that. Additionally, vodka cranberry can be difficult to remove from a wedding dress.
Unplug during your wedding ceremony
This topic has already been the subject of a substantial amount of discussion. But I'm weighing in. The recent trend of hotel guests using iPads as video cameras is becoming increasingly problematic. I've seen guests at weddings holding iPads in front of grandma, forcing her to stoop down so she can see what's going on in the ceremony. Ask guests to put away their iPads until after the first kiss unless you want all of the photos from the ceremony to include their devices.
Feed your photographer
Your caterer is plotting something nefarious under the guise of "hide the photographer." After the photographer's blood sugar has plummeted to an all-time low, they usher them into a dim corridor located one hundred yards from the reception area. At that precise instant, the DJ is going to make an announcement that it's time for the parent dances. I have no idea where this horrible custom got its start, but there is a simple solution to the problem:
Make sure the photographer is fed at the same time as the bride and groom by requesting it from your caterer. This will ensure that they are ready to take pictures when you are. Provide them with a seat in the main reception area if it is at all possible. That way, they can be there to capture it in the event that an epic moment occurs. Wild Romantic Photography has the best range of services of wedding photography Yarra Valley. Check them out here.
Turn crappy into happy with uplighting.
I've seen a DJ use uplighting to transform an empty room with four walls into a Las Vegas nightclub atmosphere. The vast majority of DJs who are serious about their craft offer uplighting packages. Do you want to take care of it yourself?
Find the photos you DO like and get them on your wall and in an album.
After spending money on wedding photos, please do not lose or delete them after the event and scatter them across the digital nebulae and the internet. Hard drives that have seen better days and contain wedding photos will be of no use to historians (or family members, cough) when they rummage through your attic.
Find the few wedding photos that you do like and have them printed out, even if you're not happy with the majority of them. Even if there are only a few photographs, you should treasure them, have copies printed, and display them on the wall.
Make an album out of them if you can locate a few more. It's possible that going through the process of selecting photos to print will help you relive all the fun of your wedding. It's possible that you'll never go through the thousand digital images that you despise that are stored on your hard drive, but you'll look at the specific photos that you like for many years to come, whether they're in an album or hanging on your wall.
Essential Things You Need To Tell Your Photographer
When it comes to the day of your wedding, each of your service providers is important; however, your photographer is likely one of the most significant of these. I'm not just saying that because this is a post about photography; rather, I believe that what I'm saying is accurate.
They are one of the vendors you spend the most time with, they will be with you almost the entire day during some of the most private and emotional points of the day, they will help you create a timeline (if you don't have a planner), and they are the ones who will make the family keepsakes you will treasure for the rest of your life. This makes them one of the most important vendors because they are one of the first vendors you need to book, they are one of the vendors you spend the most time with, they
You need to begin communicating with your photographer immediately if you already have one but haven't been doing so recently. You are mistaken if you believe that it is sufficient to merely inform them of the time and location at which they should appear. You probably have a very limited understanding of what photographers need to know.
Details, details, details
It is highly recommended that you discuss with your photographer whether or not you will be incorporating any one-of-a-kind family heirlooms into your special day and whether or not you want these items to be photographed. This might take the form of a one-of-a-kind charm, a special piece of fabric wrapped around your bouquet, or a necklace that once belonged to an important person.
Tell your photographer if something has personal significance to you if you think they should include it. This also applies to a variety of other particulars. In spite of the fact that a particular feature is not an heirloom, you should be sure to bring it up if you hold it dear and would like a photograph of it.
Any special or unique moments of your day
It is also helpful to let your photographer know if you have chosen to incorporate anything special or unique into your ceremony or reception. This will help your photographer capture the moment in the best possible way. For instance, a ceremony of mixing the sands used in the ceremony, the Hora, or wishing a guest a happy birthday if their birthday and the wedding date fall on the same day.
Because you had told him ahead of time, he was prepared for it. When getting married in a church, some couples choose to have their first kiss during the service rather than at the very end; if this is the case for you, make sure to let your photographer know in advance so they can prepare appropriately.
Who your family members are
You should probably also inform your photographer if important members of your family will be attending the event and if you want photographs of or with them. Now, this might sound ridiculous, but give it some thought. Your photographer is familiar with you and may be familiar with your parents, but he is not aware of who your cousins, aunts, uncles, grandparents, or other relatives are.
You need to make sure that you provide the photographer with a list of all the important members of your family whose portraits you want taken with them. They don't need to know what they look like because they will announce who they want to pose for photos, but if your grandmother is there and they don't know who your grandmother is or if you want a picture with her, that's a photo op you will probably be sorry to have gotten.
The question "Are there any unique spots at your venue that you would love to take photos of?" is one that I always make sure to ask the couples I photograph. Sometimes they give me the option to choose, which is fine with me, but other times they give me the green light. It is always my goal to take pictures that the couple wants, so being aware of the locations that stand out in their memories is of great assistance to me.
It's possible that you are unaware of this fact, but certain locations have rules in place that dictate where and how certain things can be photographed. The majority of the time, churches have stringent rules that dictate what a photographer can and cannot do inside the building. If there is anything your photographer needs to know about the ceremony, it is a good idea to enquire about it with whoever will be performing it. For instance, the balconies of some churches are off limits to photographers because of the religious significance of the space.
If you have asked your photographer to take a picture from the terrace but you are not permitted to go up there, it would be better to know that ahead of time rather than expecting it and then not receiving it. In connection with the previous subject matter, this is a question that you will want to make sure you enquire about at your venue. It's possible that some will tell you, but if they don't, you should definitely ask to make sure you're not missing anything. Looking for a Mornington Peninsula wedding photographer? Look no further! Wild Romantic Photography has you covered.
Asking the person who will be officiating your ceremony if they have any rules or guidelines to follow is another good idea. It is common knowledge that the ceremony you choose to have is an important component of your big day. As a result of this, your officiant may place conditions on the ceremony, such as prohibiting the use of flash photography during the event.
In the end, your wedding photographer needs to be aware of nearly as much information about your big day as you are. Keeping them apprised of developments may give the impression that it's a joke, but doing so will ensure that your day runs as smoothly as is humanly possible.
Questions You Should Ask Before You Take a Photograph
Assume for a moment that you are interested in expanding the scope of your photography. In that case, the following list of questions—some of which deal with the physical act of taking the photograph, and some of which deal with the inner thoughts that led to the creation of the image—might be just what you need to get your head, feet, or camera in the right place to help make a good photograph great, or a great picture iconic.
What is my subject?
There is a purpose behind putting your camera up to your eye or composing a shot on the LCD screen of your camera. Ask yourself what it is that you are attempting to seize. In addition, keep that in the forefront of your mind as you operate the camera. The perspective that you get through the viewfinder or on the screen can sometimes be distracting or cause you to feel further away from the subject. If the view distracts you, then your audience will find it even more difficult to concentrate on what you have to say.
How do I best highlight the subject?
You are aware of what the subject of your work is, but will the audience be able to discern it? When you look back at that picture a few years from now, will it be clear to you what happened? Your subject can be highlighted in a variety of ways, such as through composition, lighting, angles, or lines, among other things. Start formulating some thoughts on this topic, and keep reading; some of the questions that are coming up will elaborate on this enquiry.
Where is the subject in the frame?
Is the focus on the subject located precisely in the middle? That strategy is successful at times. In both the vertical and horizontal directions, cut the picture into thirds. Does the composition function more effectively with the issue located at an intersection or on one of those lines? What happens to the composition of the picture if the subject is placed in a corner or way off to the side, top, or bottom of the frame?
Am I close enough to my subject to emphasise it?
If you are too far away from your subject, it is possible that it will become obscured by the surrounding noise. If you have to tell the viewer where the subject of your photograph is located in the frame, it indicates that you either were not close enough to the subject when you took the photograph or that you did not emphasise the subject in some other way. Robert Capa, one of the most renowned photojournalists of all time and a co-founder of Magnum Photos, once said, "If your pictures aren't good enough, you're not close enough."
Am I far enough from my subject to allow the viewer to have a sense of the photograph's time and place?
In contrast to the previous question, it is possible for the subject to occupy such a large portion of the frame that the context and location of the photo are no longer discernible. If you want to create a photo that serves as a memento of an experience that you and a friend or loved one had together by taking a picture of them in front of a well-known landmark or a picturesque vista, you should make sure to include some of the landmark or scene in the frame. There are times, of course, when you just want the subject to take up the entirety of the frame.
Is there something in front of or behind the subject that distracts me?
Sometimes foreground objects can be a distraction, but it is often something behind your subject that ruins a good photo, creates a good laugh, or both. The Martian antennas coming out of the back of your subject's head are acceptable only if you are photographing a Martian. You could try isolating your subject from the background, you could try repositioning the problem, you could try moving yourself and the camera, or you could try using a shallower depth of field.
Is there something else in the frame taking my attention away from the subject?
If the subject is the brightest and most beautiful thing in the frame, it makes your job easier. Shiny things, like that bright yellow Ferrari in the corner or that super-bright neon light in the background, may easily live within the framing of your photograph and draw your attention away from the proper subject. There will be a lot of competition for the attention of the viewer if there is a lot of competition for your eye as the photographer.
If you want to isolate your subject, you should be prepared to reposition your camera, zoom in, or — to borrow a phrase from photography master Henri Cartier Bresson — wait for the "decisive moment." The late architect Ludwig Mies van de Rohe once said, "Less is more," and this adage is applicable in some situations.
Is there something outside of the frame that I could incorporate to enhance the image?
It is important to remember that it is not always in your best interest to rely solely on what is displayed in the viewfinder or on the screen. Are there any elements that, if placed just outside of your initial composition, could help better frame the image or direct the eye to the part of the picture where you want the viewer's attention to go? Recompose. Take a step back. Remove the zoom.
Where is the light coming from?
When you go outside during the day, you put yourself at the mercy of the tilt of the Earth and the rotation of the planet around the sun. On the other hand, as the sun sinks lower in the sky, the light will become more directional. Shadows are caused by directional light. Keep an eye out for the light, but also keep an eye out for the shadow. Light can be created, reflected, or redirected in various ways. There are times when shifting your position in relation to the light will allow you to take full advantage of the effects it has.
How does my eye move through the scene?
The eye has a tendency to take in a photograph as a whole at first glance. However, after a fraction of a second, its focus begins to narrow, and it begins to move through the image, moving from one part of the frame to others, unless something catches its attention and causes it to stop. Compositionally speaking, there are times when you can either simplify this journey for the viewer's eye or force it into a different pattern. When looking through the viewfinder, what movements do you make with your eye? Make sure that idea is always in the back of your mind.
Am I standing in the best place to take this photograph?
If you are fortunate, the response will be "Yes." However, you shouldn't always trust that your feet have brought you to the most advantageous vantage point. The simple act of moving a few steps in a different direction can bring about profound shifts in one's perspective. Do not be afraid to move around, especially if you see something you want to photograph but the composition is not working for you. In that case, moving around may be the best option. In addition to that, can you please describe the scene that is behind you? Turn around and have a look at it.
Should I be standing straight up and shooting this photograph from eye level, or is there a better perspective?
After shifting your position a few feet to the left, you can try getting an even better vantage point by crouching down, standing on a chair, holding the camera above your head, or holding it below your waist. All of these positions will give you a different angle on the scene. The eye level perspective is used for the vast majority of photographs. Just by shifting your mindset, you might be able to create photographs that stand out from the crowd.
Is it the best time of day to take this photograph?
The light is always shifting because the Earth is rotating, and artificial lights go on and off at different intervals. What could be an uninteresting panorama at one point in time could take on an entirely new persona in the few hours before sunset or after dark. During the time that the sun is travelling across the meridian, distracting shadows may be nearly nonexistent.
If you have the luxury of time, you should put it to good use in order to improve the quality of the photograph. A little bit of patience in the waning light of the day can go a long way towards getting a magical shot when everyone else has already packed up their gear and left the location.
Is this the best moment to make this photograph?
Ask yourself, regardless of whether it is the middle of the day or the middle of the night, if there is an advantage to delaying your photograph. If your subjects are moving, you should make an attempt to anticipate their movements within the frame and then wait until they hopefully arrive at the location you want them to go.
Is there going to be a change in the colour of the stoplight? Will that car still be there in a minute and a half? Will that pedestrian pause to read the sign in that doorway before continuing on their way? We can only hope that you didn't decide to take the picture ten seconds before the appropriate time to do so.
In this day and age of digital photography, where pictures can be obtained for next to nothing, it is probably safe to assume the quick shot, and then wait to see what transpires. There are times when I discover that the initial composition is the most powerful, and if the first shot worked best, there is nothing further that can be developed; smile, and go about your day.
Is this the best weather to take this photograph at this particular place?
To reiterate, the luxury of time is a wonderful thing to have. What kind of weather did you have in mind, sunshine or puffy clouds? Why is there a cloud cover? First, take a few deep breaths, then pull out your camera, and finally, look at the forecast for the area. It's possible that everything will shift in the next half an hour or the next few days. Depending on the nature of the topic you're discussing, you might have all the time in the world to wait for the right opportunity to bring it up.
Missing the Moment?
For any particular photograph, any or all of these inquiries may be posed; however, not all of them may have satisfactory responses. There are some circumstances in which the passage of time is of the utmost importance. There are an infinite number of possible contexts in which neither you nor the topic in question can be moved. There are times when the light is not just right. Sometimes one does not fully appreciate the moment. But, what do you think? That can be ignored. Stay alive to take pictures another day and keep looking for the next great photograph.
Planning your dream wedding and don’t want to miss out on the special moments on your big day? Worry no more, Wild Romantic Photography has you covered.