How Do I Take Flattering Photos?

Table of Contents
    Add a header to begin generating the table of contents

    It is your duty as a photographer to make the subjects of your photographs feel good about themselves. It is not desirable for your photographs to be thrown away in the client's restroom with a used banana peel. We have all been guilty of getting rid of unfavourable images of ourselves, such as those that show us with a triple chin or standing in an awkward manner. You are in luck since there are a few things you can do to avoid awkward body positions or shots that aren't complementary, which will allow you to get photographs that flatter you. If you need advice on your wedding photography, check out our photography packages and services at Wild Romantic Photography.

    We would all like to take images that are more flattering of ourselves. As photographers, we make it a point to put our subjects at ease and ensure they are enjoying themselves because we know that this brings out their natural beauty. Here are some tips that will help you capture a photo that is more flattering to the subject, as well as improve your complementary photography game.

    FAQs About Photography

    Count Down

    It appears that many people have stopped saying the straightforward "1, 2, 3!" that was once customarily said before taking a picture. This notifies somebody that the photo is about to be taken so that they can make their own decisions about what to wear. When you don't countdown, there's always one person looking away, another person with their mouth open asking a question, and one camera-ready queen stealing the show. Getting a sneaky candid or two might be enjoyable, but when you don't countdown, there's always one camera-ready queen stealing the show. Just give everyone this standard pause so they can concentrate.

    Loosen Up

    You should encourage yourself to move about and take action. we learned from a wonderful buddy that raising your arms above your head is an excellent way to relax your shoulders. This isn't necessarily a realistic expectation for brides, but we can get moving, and the time when we're walking is frequently when the best images are taken. Any kind of movement that you can utilise is great, and it encourages you to quit fixating on putting your arm on your hip, etc. Any movement that you can employ is good.

    Inquire with the subject of the shot as to what they hope to achieve with the session. As a photographer, you have a psychological obligation in addition to the physical one of taking the images; this is an inherent part of your job. It is important that you do everything you can to make the people you are working with feel beautiful, natural, and at ease. You want to record the inherent attractiveness of the subject as well as their genuine chuckles, smiles, and dimples. If a person isn't content with their body or their profile, there are countless things that can be done to help them feel more confident about how they seem in their photographs.

    A Primer on Angles

    Changing the angle at which you take the shot can have a significant influence on the final product. Your topic can go from being unpleasant to one that is palatable and inviting with only a little bit of change.

    When shooting photographs, you should make sure that the camera is at least at eye level, if not higher. This perspective will draw attention to your stunning eyes while concealing any features that are less than attractive under the chin.

    Your angle options boil down to three: high, low, and eye level. Choosing the right wedding photographer in Melbourne to capture every moment on your wedding day. 

    High Angle 

    This is a fantastic alternative that can be utilised to make portraits stand out more. They are lifting the camera higher than eye level because it creates a slimming effect and adds definition to a person's facial features. When you go higher, the subject will have to look up more, which will result in their face becoming the object of focus. Because they gaze into the camera like children do when they are staring up at their mother, extremely high angles give a layer of vulnerability and a sense of isolation to the situation.

    Low Angle

    Because of the low perspective, your subject will appear more dominant, which will give the impression that they are larger than life. The ability of this to show authority and significance is one reason why executives enjoy using this angle. Or, if employed in a light-hearted manner, it has the potential to infuse your subject with an adventurous quality. Imagine hikers traversing rock formations while carrying their packs. The low rise, which also has the effect of elongating lines and figures, is ideal for a figure-flattering costume or an action photo of the star basketball player in your family.

    Eye Level

    The standard viewpoint for taking portraits. It's a reflex for many of us to shoot at eye level, but you might find it difficult to compose an eye-level shot that doesn't look or feel flat. The quality of an eye-level photograph can be affected by a variety of factors, including the pose, the attire, the lighting, the background, and the activity.

    The days have passed when photographs were always taken at a 90-degree angle from the subject. As a photographer, you are a creative; there is an infinite number of ways to take interesting pictures from a variety of angles. There are certain angles that you should try to avoid at all costs if you want to present your subjects in the most flattering light, regardless of whether they are overweight or not.

    When taking images of your subjects sitting cutely, ensure sure their legs are not squished or flattened in any way. The legs should be lifted about a quarter of an inch to create the illusion that the subject is sitting all the way down, which will result in a more flattering photograph. In a similar vein, make sure to remind your customers not to press their arms against their bodies.

    When taking portrait photos, maintaining an upright posture is really necessary. When your subjects are seated, check to see that they are maintaining an upright posture. Even more, it is a smart move to lean forwards a little bit. If this is not avoided, other portions of the body may wind up appearing to have more significance than the head. Tell your customers to slightly incline their head downwards while also bringing their head forwards a little bit. Because you will be leaning forwards, your risk of developing neck wrinkles and a double chin will go down.

    Avoid taking photos of people looking upwards as much as possible. Photograph subjects either from eye level or looking downward for the most pleasing effects. There is no question that there will be occasions in which a downward angle will produce a distinctive and original photographic impression. In this scenario, the humans might serve more as a prop than the primary centre of attention. You can get the finest results by experimenting with different perspectives and pulling them together.

    When taking pictures of people standing still, the most pleasing viewpoint is rarely head-on or completely off to the side. The most proportionate photograph is one that is taken at a 45-degree angle to the subject being photographed. When viewed from that angle, people have the appearance of being thinner than when viewed head-on.

    Experimenting with different shooting angles and taking a large number of photos is sound advice for producing flattering photographic portraits. When it comes to putting together your photo book, taking this strategy will result in their being a large number of photographs for you to sort through.

    Consider framing

    When you look at certain things via the lens of a camera, you could get the impression that they are unusual, but you might not know why this is the case.

    Consider the three different types of film shots: close, medium, and wide. After that, link them to the degree to which you are dependent on a person. If you are taking a picture of someone up close, you might be concentrating on their face and eyes; hence, it is acceptable to crop off part of the top of their head, even though this would be considered an extremely close up. However, the farther removed you are, the more bizarre it looks to be. On the other hand, it will look better in a wide view if you are able to capture the entire body in it—not the majority of the body, but the feet should be cropped out of the picture. Wild Romantic Photography has the best range of services of wedding photography Yarra Valley. Check them out here.

    Wear the Right Outfit

    No matter how large or little they are, clothes that don't fit properly never have a flattering appearance. Encourage the people you are studying to dress in a way that makes them feel appealing. It seems straightforward, and in reality, it is. If the subjects of the photographs aren't feeling relaxed during the shoot, it will come over in the end product. Different people have different styles, but as a general rule, you should avoid wearing clothing that is either too tight or too loose. A dress that is excessively tight might emphasise undesired curves, while clothing that is too loose can cause a person to drown, which is also unpleasant.

    If you want to avoid giving the impression that someone's body is wider than it actually is, you should probably avoid photographing them in horizontal stripes. Look for colours and patterns that make the person you are photographing feel beautiful, in addition to choosing patterns that flatter them. People who desire to appear leaner in photographs should dress in tones of dark colours. A slimming effect can be achieved by wearing black. You might also experiment with different colours, such as mocha, burnt orange, navy blue, or any number of others. However, the most important thing is that everyone of your customers should feel beautiful and at ease no matter what colour they wear.

    When it comes to colour selection, it's advisable to steer clear of wild patterns and hues that are too similar to the colour of your skin. Choose an item that will create an interesting contrast with your skin tone.

    Wear Bolder Makeup

    How Do I Take Flattering Photos?

    The camera makes our features look dull and lifeless. Your facial features can be made to appear more realistic by filling in your eyebrows, using a bolder, more vibrant lip colour, and curling your eyelashes while applying a generous amount of mascara. It doesn't read the same way in real life as it does in the examples, but I'm not advocating that you overdo it. We suggest giving it a try at least a couple of times in your own home.

    When sitting for a shot, the two pieces of cosmetics that are absolutely necessary are mascara and lipstick (or lip gloss). It's easy to go overboard with eyeshadow and blush, but since these products can draw attention away from your face, keep your look straightforward and airy. But in all honesty, the most important aspect of a good makeup application is how it makes you feel: Makeup alone won't make you shine; what will make you stand out is your self-assurance and the things that make you feel beautiful on the inside.

    Create a Flattering Pose

    People tend to instinctively align their body and faces so that they are looking squarely into the camera. The picture that is produced is at a right angle, which isn't always the most flattering angle. How do you ensure that your subject is the focal point of the portrait you create? Take their poses.

    Planning your dream wedding and don’t want to miss out on the special moments on your big day? Worry no more, Wild Romantic Photography has you covered.

    Body

    Have your subject move their body away from the camera at an angle of around 45 degrees, so that approximately three-quarters of their body is visible in the photograph. This artificial rigidity can be alleviated by leaning on their rear leg, while increasing their sensation of presence can be accomplished by leaning forwards. Adding a relaxed quality to the scene is accomplished by having them rest against a wall or railing.

    The three-quarters pose is a good place to begin, and you can make adjustments from there. This is the procedure to follow:

    Arms

    Your subject should keep the arm that is behind their body hidden behind their body while the other arm is positioned in some fashion. It can either be propped up on their hip or brought up close to their face. It is not recommended that they let it to hang by their side like a lifeless fish. The golden rule here: If it bends, bend it.

    Face

    You should instruct your subject to tilt their head to one side and slightly incline their forehead towards the camera. Flatness will be reduced, and definition will be added, thanks to this step. You will want to begin your argument with their most admirable qualities. Do you have any idea which side that is? To discover out, try your hand at some target practise.

    You are free to experiment with positions that do not adhere to the three-quarters rule if you find that it does not correspond to the location or angle of your approach. The important point here is that even minor adjustments can give your subjects and your photographs a new lease on life.

    Find a Great Light Source

    When you are snapping a picture of yourself using a selfie stick, face the light. In the event that you are inside, you should turn your back to the window and position the phone in front of you so that it is between you and the window. If you are outside (ideally late at night or very early in the morning), facing the sunset will give you a beautiful glow. In many cases, the light that is most flattering does not correspond with the background that is most significant. For instance, you might want to be in a setting that includes the water, but the sun is setting in the opposite direction. In my work as a photographer, we always give priority to the backdrop lighting, even if it is frequently cropped out of the final image. And of course, it looks amazing when everything is in proper alignment.

    The better, the more light there is. The low-light performance of smartphones and point-and-shoot cameras continues to lag behind that of more sophisticated cameras. You should move towards the source of light and take the picture there. This may be a window, a doorway, a candle, or even the mirror in the bathroom. In this particular scenario, it is best to go in the direction indicated by the light. Also, make sure that light is shining directly in front of you rather than to the side, since this will prevent unflattering shadows from forming on your face.

    When photographing people, we recommend beginning with diffused light. Your subjects will appear more gentle when illuminated by light that has been diluted, whether by clouds or by shade. It is even light, which means that it will not cast any shadows on any portion of your subject's face. And while direct illumination might serve to highlight imperfections, diffused light creates the appearance of a more flawless face.

    Light reveals an infinite number of opportunities. It is entirely dependent on your goals and objectives. The mysterious quality of dappled light is created when it shines through the crown of a tree. An intense beam of light coming from the side illuminates a living Rembrandt. Sunsets are known for their vibrant colours and dramatic shadows. And there's nothing more captivating than a little youngster intently gazing at their image reflected in a window.

    Can't get away from a source of light that is both brilliant and direct? It is possible that your subject should be repositioned such that the light source is behind them. Your problem will be outlined with a light glow as a result of this, which may have a really remarkable effect.

    You won't have complete control over your lighting unless you're working in a dedicated studio space, so be prepared for that. This is especially important to keep in mind if you prefer making new memories while spending time outside. So, don't worry too much about the best lighting. Instead, use your creativity to do the best with the lighting you have. We have an exclusive range of wedding photography Mornington Peninsula services. Check them out here.

    Smile As You Mean It

    This is a challenging question, as everyone will have a unique type of smile that works best for them; nonetheless, here are a few pointers to consider: When you are sitting for a photo, it is important to think of something or someone that makes you happy because this will result in the finest grin possible. Sincere smiles emerge from the heart; thus, think good thoughts! If you want to give the impression that you are smiling, try pressing the tip of your tongue up against the roof of your mouth. Your cheeks will look more lifted, and your smile will appear more genuine as a result. When all else fails, look at images of yourself where you have a smile that you enjoy and practise imitating that smile.

    Place your shoulders back, extend your neck, and tilt your chin ever-so-slightly forwards without raising it. If it makes you feel odd, it's probably doing its job. When you smile, another time-honored tip is to prevent a wide grin by placing the tip of your tongue on the roof of your mouth and smiling. It is effective!

    Take aim from a position somewhat above. It is more flattering to shoot them from a slight elevation (especially if they are sitting), as opposed to shooting them head-on. It creates the appearance of a slightly thinner face. When we take selfies, we do it by holding the camera at a slightly elevated angle. A full-body view used excessively might make a person appear shorter, but when used for a tight image, it can work well.

    Group Shots

    How Do I Take Flattering Photos?

    Do you remember what we stated earlier about how excessively steep angles create a sense of exposure? Although this is true, the effect it has on the group shot could be quite different.

    By elevating yourself above your subjects, not only will it be simpler to get everyone in the frame, but it will also provide you with the opportunity to add some motion to your photographs. The group can choose to give each other a celebratory high-five or embrace each other in a group hug. If you take comparable pictures at eye level, there is a good risk that you will miss someone in the throng. (Oh, and please be careful as you're climbing to greater heights.)

    If you want to go for a more conventional type of group photograph, then you should try to pick a place that isn't too busy, find light or shadow that is diffused, and pose people in a way that feels natural while yet allowing for their faces to be seen in the photograph.

    There is a time and a place for the typical image of two rows, but sometimes a little bit of imagination may go a long way. Images of families can include subjects embracing each other affectionately. Children may become disoriented when using playground equipment that is vivid and colourful. And doesn't it simply seem like Brad to be hanging from a tree branch in an inverted position?

    Be Wary of Photobombers

    Check the background—don't pose with random people or things behind you that distract you.

    Do Something With Your Hands.

    Don't just leave them hanging! Put them in your pockets or on your hips, cross your arms...basically, anything is better than just having them hang there.

    Bottom Line

    This sounds like it ought to be common information, but we can't tell you the amount of times we requested someone to take my photo, handed them a phone, and then stood there still as they turned it towards me...and nothing happened. we can't tell you how many times this has happened to me. Is someone taking a picture of us? Are they perusing the emails we sent them? What exactly is going on at that location? Regrettably, it appears that we have lost the ability to master the skill of capturing images of other people.

    When someone ask you to take a photograph of them using their phones, shoot a series of photos of them in rapid succession as they pose and get into position. They'll have a selection and end up with a better shot. If you’d like to work with professional photographers for your wedding, book with us at Wild Romantic Photography.

    Although this is an entertaining piece of advice for capturing candid moments, it highlights how removed we've become from the practise of photographing other people. You can improve the quality of your photographs by giving yourself some guidance and making a few minor tweaks. Send this article to anyone in your life who is a horrible photographer and they will thank you. In the event that it does not, the problem most likely lies with you.